A sign that constantly seeks a dialogue, the common thread of his poetics: thus the sign is at times freer, less controlled, at others it is more drawn, more clearly delineated in its form and in the conscious action of communicating in the ambiguous, visual, and undefined play of art. The artist composes his sign language, fluid and enveloping and sharply defined with a controlled and harmonious gestural expressiveness that shuns all expressive violence, structuring his own way of communicating of great pictorial value in which he recognises the pleasure of painting. A multitude of opposing but inseparable signs and letters dominate his works, thus giving rise to that original lyrical writing rigorously articulated in rhythm, colour and light. Equally fundamental is the colour that expands, energetically runs across the pictorial surface to reveal what constitutes painting, beyond its possible function. Colour together with the sign component are the essential points of his art, the expression of a critical approach and his spirit always ready to research, to discover new frontiers of doing. His sign opens up to the vitality and liveliness of dense, vital colour urged towards its shaping in search of a play of contrasts that enhance the relationship between handwriting and chromaticism animated by a strange, hypnotic energy. The image always appears to be in a state of becoming, a free composition of form and colour, elements emphasised by a refined play of volumetric and spatial conception dictated by a spiritual, profound, intimately instinctive tension, releasing an emotional tremor from which no gaze can be immune.