{"id":2193,"date":"2021-12-20T17:42:33","date_gmt":"2021-12-20T16:42:33","guid":{"rendered":"https:\/\/karamcannarella.com\/recensioni\/"},"modified":"2022-01-11T16:23:52","modified_gmt":"2022-01-11T15:23:52","slug":"commentaires","status":"publish","type":"page","link":"https:\/\/www.karamcannarella.com\/fr\/commentaires\/","title":{"rendered":"Commentaires"},"content":{"rendered":"\n\t<section class=\"section\" id=\"section_1043005390\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n\t<div id=\"text-346164026\" class=\"text\">\n\t\t\n<h2>COMMENTAIRES<\/h2>\n<p>\n\t\t\n<style>\n#text-346164026 {\n  text-align: center;\n  color: rgb(255, 255, 255);\n}\n#text-346164026 > * {\n  color: rgb(255, 255, 255);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1043005390 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n  background-color: rgb(40, 40, 40);\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section\" id=\"section_1444660104\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row align-equal\"  id=\"row-1874674697\">\n\n\t<div id=\"col-982296500\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">\u201cLe peintre Sebastiano Cannarella\u201d<\/h5>\n<p><em>\u2026\u201cL&#8217;artiste fait de l&#8217;art une expression de la vie et l&#8217;acte de peindre nourrit un besoin tr\u00e8s personnel qui s&#8217;identifie dans l&#8217;\u00e9loge de l&#8217;\u0153uvre picturale.\u201d\u2026<\/em><\/p>\n<p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-3881174401\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Umberto et Giovanni Gentile<br \/>Critiques d&#8217;art<br \/>F\u00e9d\u00e9ration nationale des critiques d\u2019art, Rome<br \/>\u00e0 l\u2019occasion de l\u2019\u00e9tat-major<br \/>Galerie Woodstock, Londres 1978<\/p>\n\t\t\n<style>\n#text-3881174401 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-3881174401 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-982296500 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-760658654\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">\u201cLes myst\u00e8res de l&#8217;Islam et le paysage arabe\u201d<\/h5>\n<p><em>\u2026\u201cIl cr\u00e9e son propre langage expressif, dans lequel la pens\u00e9e et la cr\u00e9ativit\u00e9 \u00e9voquent un choix intime et personnel satisfaisant de l&#8217;\u00eatre, de l&#8217;esprit et de l&#8217;\u00e2me, conditions qui se pr\u00e9sentent au moment du rendu pictural en allumage lyrique.\u201d\u2026<\/em><\/p>\n<p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-69108644\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Pedro Fiore<br \/>Critique d&#8217;art<br \/>\u00e0 l\u2019occasion de l\u2019\u00e9tat-major <br \/> &#8220;L&#8217;Islam dans la peinture de Sebastiano Cannarella&#8221;<br \/> Compagnie Internationale d&#8217;Art , Milan 1991<\/p>\n\t\t\n<style>\n#text-69108644 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-69108644 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-760658654 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-898739120\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">\u201cSous le signe de la rencontre\u201d<\/h5>\n<p><em>&#8230;\u201cIl repr\u00e9sente des formes d\u2019expression artistique, donnant couleur et forme \u00e0 une id\u00e9e, une pens\u00e9e, une pulsion que le Ma\u00eetre reconstitue lisible comme une d\u00e9claration d\u2019amour.\u201d <\/em><\/p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-901079924\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Giorgio Salerno <br \/> Directeur de l&#8217;Institut Culturel Italien Rabat <br \/> \u00e0 l&#8217;occasion de l\u2019\u00e9tat-major<br \/> &#8220;Sous le Signe de la Rencontre&#8221; <br \/> Institut Culturel Italien, Rabat 2009<\/p>\n\t\t\n<style>\n#text-901079924 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-901079924 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-898739120 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-8384581\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">\u201cLa rh\u00e9torique des lettres\u201d<\/h5>\n<p><em>\u2026\u201dDu geste flottant de son pinceau qui d\u00e9file \u00e0 la surface de la toile, les symboles et les lettres s&#8217;\u00e9paississent et se multiplient jusqu&#8217;\u00e0 devenir une fourmili\u00e8re grouillante de concepts et de r\u00e9f\u00e9rences.\u201d\u2026<\/em><\/p>\n<p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-4001359302\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Giorgio Salerno <br \/> Directeur de l&#8217;Institut Culturel Italien Rabat <br \/>\u00e0 l\u2019occasion de l\u2019\u00e9tat-major <br \/> &#8220;Sous le Signe de la Rencontre&#8221; <br \/> Institut Culturel Italien, Rabat 2009<\/p>\n\t\t\n<style>\n#text-4001359302 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-4001359302 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-8384581 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-1850365068\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">\u201cPulsations\u201d<\/h5>\n<p><em>\u201cSon travail est issu de souvenirs d\u2019enfance, de l\u2019enchantement que l\u2019artiste a ressenti lorsqu\u2019il a vu une charrette sicilienne dans les rues de Syracuse; arrive jusqu\u2019au volant et cette m\u00e9moire, des ann\u00e9es plus tard, s\u2019est transform\u00e9e en habilet\u00e9s manuelles, mod\u00e9lisant des cadres d\u2019horloge.\u201d&#8230;<\/em><\/p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-4125484479\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Agar Ventola Abdurrahaman Pasquin <br \/> \u00e0 l&#8217;occasion de la <br \/> Personnelle \u00ab Les montres de Sebastiano Cannarella \u00bb <br \/> Contact Club, Milan 1995<\/p>\n\t\t\n<style>\n#text-4125484479 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-4125484479 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1850365068 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-7543439\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">\u201cAttendez&#8230; l&#8217;Espace Narratif\u201d<\/h5>\n<p><em>\u2026\u201dLe temps d&#8217;Attente, l&#8217;artiste l&#8217;a rempli du monde secret des couleurs, de la densit\u00e9 de mati\u00e8re qui s&#8217;en d\u00e9gage, tant\u00f4t avec la force d&#8217;une symphonie et tant\u00f4t comme le solo d&#8217;un instrument\u201d &#8230; <\/em><\/p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-3838126402\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Ginevra Bompiani <br \/> \u00e0 l&#8217;occasion du Collectif <br \/> \u00abAttendez&#8230; l\u2019Espace Narratif\u00bb <br \/> Galerie d&#8217;art Leuc\u00f2, Milan 2013<\/p>\n\t\t\n<style>\n#text-3838126402 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-3838126402 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-7543439 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-344057623\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">&#8220;L&#8217;artiste de l&#8217;esth\u00e9tique croyante\u201d<\/h5>\n<p><em>\u2026\u201dCannarella refl\u00e8te l&#8217;Homme-Artiste digne d&#8217;\u00e9loges\u201d.<\/em><\/p>\n<p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-3581623002\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Abdallah Stouky <br \/> Diplomatique <br \/> \u00e0 l\u2019occasion de l\u2019\u00e9tat-major <br \/> &#8220;Art Arabesque&#8221; <br \/> Galerie Beny&#8217;Art, Rabat<\/p>\n\t\t\n<style>\n#text-3581623002 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-3581623002 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-344057623 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-1831583151\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">\u201cVoyage dans les souvenirs\u201d<\/h5>\n<p><em>\u2026\u201cL&#8217;artiste repr\u00e9sente les images comme pour chercher leur v\u00e9rit\u00e9, le secret de leur enchantement pour montrer et saisir la pr\u00e9ciosit\u00e9 de cet instant  qui, dans ses peintures, est immortel et articul\u00e9 selon un ordre po\u00e9tique\u2026<\/em><\/p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-1420733331\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Rossella Miceli <br \/> Conseill\u00e8re \u00e0 la Culture <br \/> \u00e0 l\u2019occasion de l\u2019\u00e9tat-major<br \/> &#8220;Il \u00e9tait une fois&#8221; <br \/> Mairie, Portopalo di Capo Passero, Syracuse 2018<\/p>\n\t\t\n<style>\n#text-1420733331 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-1420733331 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1831583151 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n<style>\n#row-1874674697 > .col > .col-inner {\n  background-color: rgb(247, 247, 247);\n}\n<\/style>\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1444660104 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n}\n<\/style>\n\t<\/section>\n\t\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-blank.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2193","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.karamcannarella.com\/fr\/wp-json\/wp\/v2\/pages\/2193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.karamcannarella.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.karamcannarella.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.karamcannarella.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.karamcannarella.com\/fr\/wp-json\/wp\/v2\/comments?post=2193"}],"version-history":[{"count":18,"href":"https:\/\/www.karamcannarella.com\/fr\/wp-json\/wp\/v2\/pages\/2193\/revisions"}],"predecessor-version":[{"id":2220,"href":"https:\/\/www.karamcannarella.com\/fr\/wp-json\/wp\/v2\/pages\/2193\/revisions\/2220"}],"wp:attachment":[{"href":"https:\/\/www.karamcannarella.com\/fr\/wp-json\/wp\/v2\/media?parent=2193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}