{"id":2182,"date":"2021-12-20T17:42:33","date_gmt":"2021-12-20T16:42:33","guid":{"rendered":"https:\/\/karamcannarella.com\/recensioni\/"},"modified":"2022-01-11T16:33:43","modified_gmt":"2022-01-11T15:33:43","slug":"reviews","status":"publish","type":"page","link":"https:\/\/www.karamcannarella.com\/en\/reviews\/","title":{"rendered":"Reviews"},"content":{"rendered":"\n\t<section class=\"section\" id=\"section_1608249919\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n\t<div id=\"text-427917348\" class=\"text\">\n\t\t\n<h2>REVIEWS<\/h2>\n<p>\n\t\t\n<style>\n#text-427917348 {\n  text-align: center;\n  color: rgb(255, 255, 255);\n}\n#text-427917348 > * {\n  color: rgb(255, 255, 255);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1608249919 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n  background-color: rgb(40, 40, 40);\n}\n<\/style>\n\t<\/section>\n\t\n\n\t<section class=\"section\" id=\"section_1434464486\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"row align-equal\"  id=\"row-1687125085\">\n\n\t<div id=\"col-1056799515\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">\u201cThe painter Sebastiano Cannarella\u201d<\/h5>\n<p><em>\u2026&#8221;The artist makes art an expression of life and the act of painting feeds a very personal need that is identified in the praise of the pictorial work.\u201d\u2026<\/em><\/p>\n<p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-1325373185\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Umberto and Giovanni Gentile<br \/>Art critics<br \/>National Federation of Art Critics, Rome<br \/>on the occasion of the Staff<br \/>Gallery Woodstock, London 1978<\/p>\n\t\t\n<style>\n#text-1325373185 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-1325373185 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1056799515 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-1028756775\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">\u201cThe mysteries of Islam and the Arab landscape\u201d<\/h5>\n<p><em>\u2026\u201cHe creates his own expressive language, in which thought and creativity evoke an intimate and personal satisfying choice of one&#8217;s being, spirit and soul, conditions that arise at the moment of the pictorial rendering in lyrical ignition.\u201d\u2026<\/em><\/p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-2461579832\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Pedro Fiore<br \/>Art critic<br \/>On the occasion of the Staff <br \/>&#8220;Islam in Sebastiano Cannarella&#8217;s painting&#8221;<br \/>\nInternational Art Company, Milan 1991<\/p>\n\t\t\n<style>\n#text-2461579832 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-2461579832 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1028756775 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-563514869\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">&#8220;In the Sign of Encounter\u201d<\/h5>\n<p><em>\u2026\u201dIt represents forms of artistic expression, giving color and shape to an idea, a thought, a drive that the Master reconstructs readable as a declaration of love.\u201d\u2026<\/em><\/p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-1394896282\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Giorgio Salerno<br \/>Director of the Italian Cultural Institute Rabat<br \/>on the occasion of the Staff<br \/> &#8220;In the Sign of Encounter&#8221;<br \/>Italian Cultural Institute, Rabat 2009<\/p>\n\t\t\n<style>\n#text-1394896282 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-1394896282 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-563514869 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-1198882490\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">\u201cThe rhetoric of letters\u201d<\/h5>\n<p><em>\u2026\u201dFrom the floating gesture of his brush that scrolls across the surface of the canvas, the symbols and letters thicken and multiply until they seem a teeming anthill of concepts and references\u201d\u2026<\/em><\/p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-1127926573\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Giorgio Salerno<br \/>Director of the Italian Cultural Institute Rabat<br \/>on the occasion of the Staff<br \/>&#8220;In the Sign of Encounter&#8221;<br \/>Italian Cultural Institute, Rabat 2009<\/p>\n\t\t\n<style>\n#text-1127926573 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-1127926573 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1198882490 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-681541795\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">\u201cPulsation\u201d<\/h5>\n<p><em>\u2026\u201dHis work comes from childhood memories, from the enchantment that the artist felt when he saw a Sicilian cart in the streets of Syracuse; comes right up to the wheel and that memory, years later, has been transformed into manual skills, modeling clock-frames\u201d\u2026<\/em><\/p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-2035474607\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Fan agar Abdurrahaman Pasquin <br \/> on the occasion of the Staff<br \/> \u201cSebastiano Cannarella\u2019s watches\u201d <br \/> Contact Club, Milan 1995<\/p>\n\t\t\n<style>\n#text-2035474607 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-2035474607 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-681541795 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-1062083834\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">\u201cWait &#8230; the Narrating Space\u201d<\/h5>\n<p><em>\u2026\u201dThe time of Waiting, the artist has filled it with the secret world of colors, with the density of matter that is released, sometimes with the strength of a symphony and sometimes like the solo of an instrument\u201d &#8230; <\/em><\/p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-2133989181\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Ginevra Bompiani <br \/> on the occasion of the Collective <br \/>\u201cWait &#8230; the Narrating Space\u201d <br \/> Leuc\u00f2 Art Gallery, Milan 2013<\/p>\n\t\t\n<style>\n#text-2133989181 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-2133989181 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1062083834 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-1618555204\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">\u201cThe artist of believing aesthetics\u201d<\/h5>\n<p><em>\u2026\u201dCannarella reflects the Man-Artist worthy of praise\u201d.<\/em><\/p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-1259396454\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Abdallah Stouky <br \/> Diplomatic <br \/> on the occasion of the Staff <br \/> &#8220;Arabesque Art&#8221; <br \/> Beny&#8217;Art Gallery, Rabat<\/p>\n\t\t\n<style>\n#text-1259396454 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-1259396454 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-1618555204 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n\t<div id=\"col-236378867\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h5 class=\"uppercase\">\u201cJourney into memories\u201d<\/h5>\n<p><em>\u2026\u201cThe artist represents the images as if to seek their truth, the secret of their enchantment to show and grasp the preciousness of that moment which, in his paintings, is immortal and articulated according to a poetic order&#8221;\u2026<\/em><\/p>\n<p>\n<div class=\"is-divider divider clearfix\" style=\"max-width:88px;height:2px;\"><\/div>\n\t<div id=\"text-1926253108\" class=\"text\">\n\t\t\n<p class=\"uppercase\">Rossella Miceli <br \/> Councilor for Culture <br \/> on the occasion of the Staff <br \/> &#8220;Once upon a time&#8221; <br \/> Town Hall, Portopalo di Capo Passero, Syracuse 2018<\/p>\n\t\t\n<style>\n#text-1926253108 {\n  font-size: 0.75rem;\n  color: rgb(0, 0, 0);\n}\n#text-1926253108 > * {\n  color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\n<style>\n#col-236378867 > .col-inner {\n  padding: 20px 20px 20px 20px;\n}\n<\/style>\n\t<\/div>\n\n\t\n\n<style>\n#row-1687125085 > .col > .col-inner {\n  background-color: rgb(247, 247, 247);\n}\n<\/style>\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1434464486 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n}\n<\/style>\n\t<\/section>\n\t\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-blank.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2182","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.karamcannarella.com\/en\/wp-json\/wp\/v2\/pages\/2182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.karamcannarella.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.karamcannarella.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.karamcannarella.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.karamcannarella.com\/en\/wp-json\/wp\/v2\/comments?post=2182"}],"version-history":[{"count":17,"href":"https:\/\/www.karamcannarella.com\/en\/wp-json\/wp\/v2\/pages\/2182\/revisions"}],"predecessor-version":[{"id":2228,"href":"https:\/\/www.karamcannarella.com\/en\/wp-json\/wp\/v2\/pages\/2182\/revisions\/2228"}],"wp:attachment":[{"href":"https:\/\/www.karamcannarella.com\/en\/wp-json\/wp\/v2\/media?parent=2182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}